Earthquaker Devices Avalanche Run V2 - Stereo Reverb and Delay with Tap Tempo

Roll over image to zoom in

Earthquaker Devices Avalanche Run V2 - Stereo Reverb and Delay with Tap Tempo

Name: Earthquaker Devices Avalanche Run V2 - Stereo Reverb and Delay with Tap Tempo
Brand: Earthquaker Devices
SKU: EQDAVALV2USA
Price: 299.0 USD
Availability: InStock

AVAILABLE IN STORE BRAND NEW

SKU: EQDAVALV2USA

Share this product

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...

Controls

1. Time: This controls the delay time and goes from 0ms to just under 2000ms.

2. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite.

3. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.

4. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.

5. Expression Jack Assign Switch: Use this switch to map the expression jack to one of the assigned controls.

Decay: Controls the reverb decay length
R Mix: Controls the reverb mix
Time: This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.
Repeats: Controls the delay repeats
D Mix: Controls the delay mix
Toggle: This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.

6. Ratio Selector Switch: Selects delay subdivisions when time is set by the “Tap” switch.

1/1: Quarter Note
3/4: Dotted 8th
2/3: Quarter Note Triplet
1/2: 8th Note
1/3: 8th Note Triplet
1/4: 16th Note

7. Decay: Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.

8. Toggle Switch (Mode Selector)

Normal: This is the “standard” delay and reverb mode

Reverse: This is reverse delay mode with “standard” reverb

Swell: This is the volume swell mode

9. Mix: This is the volume control for the reverb. Blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.

Tech Specs

List Price: $299.00

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs

Current Draw: 410 mA

Input Impedance: 1 MΩ

Output Impedance: 100 Ω

S/N Ratio: 115dB typical

24-bit 96kHz A/D & D/A converters

All analog dry signal path

All digital wet signal path with 20Hz – 20kHz frequency response

Expression Jack: The expression jack is located on the west side of the pedal. It is a TRS jack with the tip acting as the wiper.

We recommend using a Moog expression pedal with the output adjustment knob all the way up.
We cannot guarantee any other expression pedal to work with the Avalanche Run.

Flexi-Switch® Technology: This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power: For best results, please use the included 9v center-negative 1-amp DC power supply.

Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.

The one gig bag!

Awesome looking evh gigbag for my Wolfgang. Can’t beat it, and safehaven music rocks!

One of the fastest and most comfortable necks to play

My Jackson Virtuoso has practically an identical neck shape as my old Charvel, which has the best (= fastest and most comfortable to play) guitar neck I’ve ever played! This is the main reason why I gave it 5 stars. Perhaps with the exception of the necks of my EBMM JP16 and Custom Shop Jackson (CSJ), none of the guitar necks I’ve ever played were very similar to the favorite and a couple of times refretted neck of my old Charvel. [Of course, the neck shape’s preference is a very subjective entity and some players may hate this neck shape. :)]

For succinctly describing various Virtuoso’s good, bad and ugly features (from my standpoint), I will compare 3 very similar guitars, i.e., my CSJ, Virtuoso and Charvel (see the first picture). BTW, all 3 guitars have the same SD JB TB-4 (bridge) and ’59 SH-1N (neck) pickups.

The good:
1) The Virtuoso neck’s shape is very exceptional as if being designed to be a copy of my Charvel’s neck, and it plays with an extremely low action without buzzing (perhaps being factory-PLEK’d?).
2) Its Gotoh locking tuners are one of the best tuners around (my CSJ and Charvel do not have locking tuners).
3) Its Luminlay side markers provide good guidance even on the darkest stages – see the first picture. My CSJ and Charvel do not have Luminlay inlays.
4) The classic tried and true combo of JB & ’59 pickups and a 5-way pickup selector generate both great humbucking and believable single-coil sounds. My CSJ and Charvel have 3-way toggle switches and can produce only humbucking sounds.

The bad:
In contrast to the original Floyd Rose with fat brass tremolo sustain blocks present in my CSJ and Charvel, the Virtuoso has a cheaper and inferior Floyd Rose 1500, with a relatively thin metal tremolo block (see the left side in the second picture), and a push-in tremolo arm (in the middle of the right side in the second picture, showing also the CSJ and Charvel tremolo arms), “controlled” with a plastic inner ring and a tension screw (not very easy to set it up so that it would be neither too loose nor too tight).

The ugly:
While my CSJ and Charvel have strong and well-protective factory hardshell cases, the Virtuoso sells with a flimsy, nasty, inadequate, soft and ridiculous case (see the third picture), with a strange insert (polystyrene wrapped in a plastic foil – see the right side in the third picture) obviously meant to prevent the guitar hopelessly free-floating in the case (and getting damaged) during any transport. Without this ghastly, feeble insert, the provided Jackson case is completely useless.

One of the best guitars money can buy

Succinctly, this black Ibanez PIA3761XB is one of only about 5 guitars (from well over 100 guitars I’ve owned over the years), where I did not have to change ABSOLUTELY ANYTHING, while still being 100% happy with their performance! Its flawless workmanship, effortless playability (with an extremely low action without buzzing) and superb sonic qualities (including lots of sustain) are second to none. Another guitar, which I like almost as much as the Pia is my Schecter C-1 FR SLS Elite. However, unlike my Pia, the Schecter C-1 required one minor modification – painting the bright white dots on the fretboard to facilitate quick and accurate moves to different fret positions, since the Schecter’s little abalone dots are pretty, but practically invisible on darker stages. In contrast, the Pia’s Luminlay side dots emit plenty of light, providing good guidance even on the darkest stages – see the picture. The Pia comes with an Ibanez Multi Tool (which is extremely useful), 2 tremolo bars and a great, strong and well-protective hardshell case. What a pleasant contrast to various “gig bags” that come with Suhr, US-made PRS and many other very expensive guitars! These thin, soft and cheap-looking “gig bags” provide only a very minimal and absolutely inadequate protection for these expensive instruments and are truly ridiculous!

In summary, my guess is that probably nobody looking for a great playing and sounding guitar with stainless steel frets, which are slick (vibrato and bends are much easier) and last practically forever, will be disappointed when playing a PIA3761XB.

Red Frankie relic!

Arrived at my door in perfect shape! After a little tweaking, the thing is a monster!! Love it. Thanks Safehaven!

New Strap

This a very nice love it. And the price is great.

Recover password

Create my account

Earthquaker Devices Avalanche Run V2 - Stereo Reverb and Delay with Tap Tempo

Description

Controls

Tech Specs

Payment & Security

You may also like

Recently viewed

Store Hours

Let customers speak for us